In an era when a married woman was meant to be an ‘angel in the house’ with no profession of her own, Elizabeth Gaskell, the well-known Victorian novelist, was a dutiful wife, mother, and avid traveler as well as author of several controversial books. This dichotomy in her life and in her writings was reflective of the ambiguous social situation of most middle-class married women. Although some women acquired fame and semi-fulfillment, others suffered silently. The ‘literary apartheid’ imposed by the male literary establishment made women authors seek ways to assert their views using various means. This paper will demonstrate, using Elizabeth Gaskell’s short story, ‘The Grey Woman’ as an illustration, how the Gothic/Sensational literary genre allowed Gaskell and her fellow writers to voice subversive ideas without appearing overtly radical. Use of this mode of writing was one of the ways which helped Gaskell negotiate her way through restrictive patriarchal norms and survive as a ‘proper’ Victorian housewife while pursuing her ambitions as a writer.
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